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At the head of the train, if anybody could have seen him, one of the three engineers was selecting the soundtrack in one of the two locomotives (Trans Europe Television Broadcasting and Railway Corporation was thinking of airing a close-circuit special on train travel, when the train was still the preferred mode of ground transportation): the soothing voice of the commentator, and his melodious mouth, listed the ideal seasonal attire (when there were still seasons) for man, woman, and child. Animals or pesticides weren’t excluded. The typical family (at the beginning: him, her and three polite children. Then: him, her and two bratty children. Then two amazed children and a third in a bag. Then: him, her, a child in her arms and a mongoloid one on the little table – it had taken a lot of nerve to add the mongoloid one, and the mother was wearing a medallion reading: “Children are the Joy of the Lord”, and was looking at he Joy of the Lord, unsure whether she should unbutton his head or comb his shirt. Finally: him, him, and a cat. Or, her, her, and a dildo, artfully hidden in one of their vaginas) was traveling in a typical compartment and enjoying, from the window, a typical landscape.
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